Syncretism versus cultural appropriation?
I’ve been mulling around a topic lately that has to do with my own personal practice. Lo and behold, the topic recently came up on Facebook on one of my friend’s pages: Sorita D’Este.
The topic? To quote from Sorita’s page: "When is it ok to take practices and beliefs from a culture other than your own and claim it for yourself?".
My response was, "When you have a tie to the culture through research, ancestory, or calling and you do it with both respect and honesty" and "Syncretism = good; cultural appropriation = not so good, usually".
The range of other responses truly surprised me. They ranged from the likes of "Whenever you feel the urge to!" to "If you adopt a tradition, you should adopt it 100% - no picking off the bits you don't like, no altering it just because you like it better that way. You don't claim it for yourself - what you are doing is theft, no matter how sincere".
After seeing a few of the other responses (especially on the side of "Never!"), I clarified my position by stating, "I think that one of the keys (besides respect and honesty and adaptation) is to make sure that you are not presenting it AS the original practice or within the original cultural practice. There will always be fine lines of what is or isn't appropriate. However, immigrants used syncretism (as opposed to cultural appropriation) in order to adapt to their new culture (sometimes as a survival technique) and created something that wasn't exactly from their origin and wasn't exactly what they were integrating into. Related to both (part of both?) but still unique. Of course, I'm specifically thinking of Italian culture, magic, and witchcraft as it came to the "New World" in the late 1800's/early 1900's with the mass immigration but it applies to a broader topic, too".
I really was startled to see how many folks assumed that syncretism could only equate with something bad. Do they really think that things (spiritual, cultural, or other) exist in a vacuum? Do they think that it's impossibly to blend cultures? Do they assume that it can't be done honestly and intelligently?
I'm for positive syncretism if done with honesty and respect and done knowledgeably. This happens all the time (albeit slowly) with immigrants who integrate to a new culture while holding onto what they find important (and a source of identity) from their old land.
One of the things that we have to remember is that the modern world is far more "international" in our overall culture and flavor that we have been at any time in the past. There WILL always be an interchange and exchange of beliefs and practices. With people immigrating to new countries, they will find themselves in new cultures. The Italian immigrants of the late 1800’s and early 1900’s went through this. They had to find a way to hold onto what they felt was important from "the old country" and balance that with the ways and culture that they were becoming a part of. Today, those American-Italian descendants are American by culture and Italian by ancestry. Many of us are trying to "rediscover" our roots and reintegrate aspects of our ancestry into our modern lives. Not all of what was part of native Italian culture is applicable to us as modern Americans. Some things are and can be smoothly integrated. Some things can’t. So, are we guilty of cultural appropriation of a foreign culture or are we re-integrating our ancestry in a positive syncretic way, or are we abandoning our current culture for the golden ideal of what we think the past ancestral culture was like?
In terms of how this applies to spirituality and specifically to modern Paganism, I don’t think that there is any one, right answer. It’s not clear cut. Part of the reason is that spirituality can be rooted in a culture, can be near inseparable, or can be ONE aspect within a specific culture. Then you need to look at what exactly is being talked about. Are we talking about picking and choosing aspects from the "greater" common culture of that is foreign to your own? What about picking and choosing aspects of a culture that you have immigrated away from? Picking and choosing aspects of the greater culture that you are immigrating TO and integrating them into your life? The religious practices (as opposed to purely social) that are a subset within a culture? Spiritual or magical techniques that seem to be hallmarks of a culture or people? Practices, concepts, and/or techniques that are "Universal" but have different cultural glosses depending on their origin?
Perhaps it's a matter of perspective and time. If we're talking about the time frame when something is integrated, is it cultural appropriation? When does it transform to becomming part of the culture or ok? After 5 years? 10? 50? 100? Our own American Culture is syncretic and pluralistic by it's nature.
Basically, it is not so clear-cut as many folks on the extreme ends make out. The only two bits of advice that I have for modern pagans struggling with this concept is: 1) be honest with what it is, where it came from, and the part that you play in it; and 2) do your research and really understand what you are doing and what "it" represents in the original culture.
Benedizioni,
---Vincenzo
Whispers on the Wind
Eventually, everyone always talks to me.
The musings of Vinnie Russo
Stregone Mago in The Strega Tradition (Sicilian-American Witchcraft)
& Elder in the Chthonioi-Alexandrian Tradition of Wicca.
Thursday, February 16, 2012
Wednesday, December 7, 2011
Southern Italian and Sicilian drumming, chanting, and dancing.
I just returned from a weekend workshop with Alessandra Belloni. The workshop was a variation of her “Rhythm is the Cure - Healing Dance & Drum Workshop”. Alessandra describes the workshop as, “In this workshop featuring Southern Italian folk dances and rituals we will learn chants used to invoke the healing power of the sun and moon, as well as a repertoire of therapeutic dances, accompanied by the beat of Frame drums and tambourines. Alessandra presents these unique dance movements which trace their roots from Southern Italy back to ancient Greece, with connections to Iran, Egypt and Andalusia, as well as to the traditions of the Gypsies who traveled from Rajasthan through North Africa, Morocco and Spain to Sicily and Calabria.”
My reason for talking this workshop was to be exposed to (and hopefully learn a bit of) the traditional drumming and chanting that is native to Southern Italy and Sicily. For me, the dancing was an added bonus. I wanted to learn about the Italian/Sicilian traditions of using rhythm, chant, and dance so I could incorporate some of the techniques into my own practice of Sicilian-American Stregheria.
From the outside, as an observer, one can see that this artistry has its roots in what is commonly referred to as the “folk customs and celebration of the ancient Italic peoples and their descendants. However, from the perspective of the full participant who can approach this system with mindfulness and respect, a system of spiritual expression and healing is revealed. This goes well beyond folk customs. It becomes no less than a powerful spiritual devotion, a system of inducing trance states, and a door to the realms of ecstatic (Dionysian) dance, chant, and rhythm that can lead to healing and triggering cathartic events.
The weekend workshop was held in an ideal setting. We stayed in a private mansion on 44 acres of gorgeous land. We had a wonderful and gracious host (Arden) and an amazing cook (Heidi). Other than them, we had the entire grounds to ourselves.
Over the course of the weekend, Alessandra shared with us several basic drumming techniques using a type of Italian tambourine/drum (tamburello/tammora/tambourine). The techniques were strung together into specific patterns designed to enliven the spirit and body and to align the participants with our goals.
Coupled with that, we also learned some traditional rhythmic chants and combined them with the drumming to add to our devotional practice. Rhythm is the Cure – rhythm is the key.
Throughout the weekend we were also learn the basics of four traditional dances. They were the Tammorriata, the Pizzica Tarantata, the Tarantella de’ 600, and the Ritmo e Danza e di San Rocco or Spinning Dance. A person watching would immediately see the relation to the “Italian Wedding Dance” that is often seen at Italian-American festivals. These dances, however, are far more than simple folk dances or elaborate step dances that are performed at Italian-American community celebrations. Watching Alessandra perform these steps shows a clear spiritual essence to them and you KNOW that the dance is something that can bring one closer to the Divine.
The combination of rhythmic drumming, chanting, and drumming in this ancient style is powerful for all participants regardless of which role is performed. A person usually takes one of the roles: drummer, singer/chanter, or dancer. With practice, some folks may combine the drumming and chanting but the dancers do not normally also drum or chant at the same time. Although, Alessandra is so accomplished that she can seemingly effortlessly do all three at once!
Frankly, I never knew what hard work drumming (and chanting and dancing!) were until I took this workshop. It’s hard. Also, it’s so very worth it.
I am immensely grateful that I had the opportunity to participate in the workshop. It has given me some new tools to add to my own practice and Path. I had a wonderful time meeting new friends, being in a totally supportive environment, and expanding my understanding of the practices of my ancestors.
If you ever get the chance to see Alessandra Belloni, do so. If you ever get the chance to study with her, do whatever it takes. You won’t regret it. I don’t.
Benedizioni,
---Vincenzo

Who is Alessandra Belloni? An excerpt from her website (http://www.alessandrabelloni.com/) says: “Alessandra Belloni is the Artistic Director, Founder and Lead Performer of "I GIULLARI DI PIAZZA", an Italian Music, Theatre and Dance Ensemble who is Artists-in-Residence at the Cathedral of St.John the Divine in New York City. She is also the designer of a line of signature series Italian tambourines made by Remo, and of special brushes for tambourine with Pro- Mark. She is the only woman in the U.S. and in Italy who specializes in traditional Southern Italian folk dances and percussion that she learned from the old people in the fields.”
TAMMORRIATA - This elegant and sensual dance from Naples is performed by couples playing castanets to the rhythm of the large drum, called the Tammorra. The dance movements have a strong Spanish and Middle Eastern flourish, with many recognizable movements of the Flamenco and Belly Dance traditions. These movements are set to the beat of African 4/4 rhythms. The Tammorriata is based upon an improvisational style of drumming and singing usually enacted during the summer rituals in honor of the ancient Earth Goddess Cybele, and later, the Black Madonna.
THE PIZZICA TARANTATA – This erotic and dynamic ritual dance originated as a cure for the mythical bite of the Tarantula, a condition causing a mental disease called tarantismo, which afflicted mainly women (tarantate) in Southern Italy. The wild rhythm of the Pizzica, played on medium size tambourines and accompanied by dance was performed as an exorcism ritual which produced a trance-like state beneficial for the healing of many disorders and imbalances. As part of a re-enactment of this healing ritual, Alessandra will lead the participants in a circle dance accompanied by her magic tambourine 6/8 rhythm and singing. During the ritual each student will learn the steps of the Pizzica, which means “ bite,” building up to a culmination where each student will enter the circle and lay down upon a white sheet, surrounded by red ribbons, and emulate "Spider" like movements on the ground, releasing stress and blockages of sexual energy, as well as opening the heart and throat chakras. The dance comes to completion as each participant dances their way out of an imaginary “Spider Web.”
TARANTELLA DE’ 600 – This is a Renaissance folk dance which is done in pairs which is very popular in Italy and throughout the Mediterranean. It contains both fast, energetic steps and combined arm and leg movements which improve coordination. This invigorating dance had been called by Alessandra’s students ‘Italian Aerobics”.
RITMO E DANZA DI SAN ROCCO or SPINNING DANCE – This dance originating in Calabria during the Middle Ages evokes the elegant and meditative movements of the Whirling Dervish ceremonies of the Sufis. This dance was used during the time of the plague to heal people and as a release from overpowering fears of death. Due to the trance-inducing movements and incessant spinning many people enter ecstatic states during this dance. The session ends with a meditation utilizing a chant to the Sun, Jesce Sole, in the Lydian scale. The calming and lilting harmonies of this chant combined with the ocean drum guides students into complete relaxation. Participants emerge feeling light and joyful after this healing journey through sound and dance.
Labels:
drumming,
italian,
Sicilian,
tamburello,
tarantella
Thursday, December 1, 2011
What's up for December?
Happy December, everyone!
We've been very busy trying to get ready for the holidays. Since most of our customers tend to shop with us all year round rather than just at the holidays, we've been trying to figure out how to provide them with something new during this season. (Have I recently mentioned just what an amazing programmer Mike is?)
Mike came up with a fantastic idea. We had been talking about putting some sort of a wish list for our customers who wanted an item but were yet ready to make the purchase. Aside from the technical problem of figuring out how to program a wish list into an existing website, we didn't want people to have to set up a profile at our website just to let your friends know what items they would like for the holidays. I pulled a few customers about a wish list and many of them said that they already had an Amazon Wish List and would love to be able to put products from our site on their Amazon list for the friends and family to see.
Now, I know that Amazon does provide plug-ins for some browsers but folks tend to be picky about what plug-ins they install on your computer. Mike did a little bit of research into the Amazon "add to Wish List" button. With some technical tweaking he was able to integrate the technology for the Amazon Wish List button directly into our individual product pages.
Each one of our product pages has two buttons on it: our normal “add to cart” button, and new a new “Amazon Wish List” button! If you already have an Amazon Wish List, all you need to do is click on the new Amazon Wish List button and you'll get a small public by prompting you to add the product to your wish list. The best part is that if you have more than one Amazon Wish List, you can even select which list the product will go to!
If that's not enough, might even rewrote our inventory tracking system so we can keep even closer watch on our stock levels.
As always, if there's something that you are looking for but can’t find on the website, just let me know. Speaking of which, you may be wondering where our StregaCrafts products (potions, incense, and anointing oils) and Dryad Designs jewelry and statuary have gone. We've moved both lines of products (StregaCrafts & Dryad Designs) to our newest website HTTP://www.stregacrafts.com. Come on over and give it a look. We'd love your feedback.
That's all we have for now. I've got to get myself ready to dash off to a weekend workshop with Alessandra Belloni.
Ciao bello!
Vincenzo
Thursday, September 29, 2011
New ventures
Hi everyone,
It's been a while since I've written a blog. It's not that I haven't been inspired to say something (Gods know!). It's that I've been very, very busy.
For the past several months, Mike and I have been working to get a new retail website up and running. The focus of the site is/will be Witchcraft derived from the Mediterranean cultures and religious traditions. Our new venture is called Strega Crafts and we'll be going live in October. Our goal is a full site publish for the Monday, October 3, 2011.
We'll be offering handmade items and accessories and we'll be starting with my own incense, anointing oils, and potions. We are in the works to get hand crafted chalices, jewelry and statuary, and strega-rosaries.
Any other items that you would like to see us offer?
Benedizioni,
---Vinnie
It's been a while since I've written a blog. It's not that I haven't been inspired to say something (Gods know!). It's that I've been very, very busy.
For the past several months, Mike and I have been working to get a new retail website up and running. The focus of the site is/will be Witchcraft derived from the Mediterranean cultures and religious traditions. Our new venture is called Strega Crafts and we'll be going live in October. Our goal is a full site publish for the Monday, October 3, 2011.
We'll be offering handmade items and accessories and we'll be starting with my own incense, anointing oils, and potions. We are in the works to get hand crafted chalices, jewelry and statuary, and strega-rosaries.
Any other items that you would like to see us offer?
Benedizioni,
---Vinnie
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